Journey' is an overworked phrase as of late, however I can consider none different to describe the making of a documentary movie. Ten years ago, a movie of mine might be made in six months, even much less. The main work was the research, the journalism.Whenever I felt assured I had the idea of a 'story', I might go to the ITV Network in the UK and seek a broadcast commission. If that was forthcoming, ITV would fund the production. The distinction now's that I, the film-maker, should raise most of the production cash. Also, my documentaries have changed considerably lately. They at the moment are made for the cinema in addition to Tv, and for the internet. I've made three films this way, The War on Democracy (2007), The War You don't See (2010) and Utopia (2013). Utopia took more than two years to make. In raising the cash for these films, I've been fortunate to find sympathetic philanthropists and foundations, and persuade them to contribute without attaching any editorial strings.

But these benefactors are uncommon, and tracking them down might be the hardest a part of movie-making now and, frankly, not the sort of labor I ever saw myself doing - I've at all times preferred merely to do the job I knew - journalism. I've recently embarked on another movie journey - this might be my 60th documentary. ITV has commissioned the movie, and supplied seed cash. The working title is The approaching War Between America and China, and the movie will inform the largely unreported story of a brand new US strategic policy known as 'the pivot to Asia'. In a nutshell, what this implies is that the US is preparing for a brand new provocative cold conflict that has each probability of turning into a scorching battle. Washington has begun to maneuver its principal missile and naval forces into the Asia-Pacific as a way to surround and 'confront' China, whose extraordinary economic rise lately is regarded in Washington as a risk to American dominance.

For obvious reasons, I will not lay out here the 'where, what and why'. Suffice to say the movie might be shot in some shocking locations the place I'll meet and interview extraordinary individuals. Above all, it will likely be revealing: that's assured. Having learn this far, you're positive to guess that this message is heading in direction of one other modern cliché - an 'ask'. My colleagues at Dartmouth Films and that i need to boost at the least £60,000 or $100,000 so as to begin making the movie. This cash will not meet unexpected prices or pay for distribution and promotion, but it should allow for the promised philanthropy, on which the majority of the movie's funding relies upon, to return on stream and for filming to start. And that is the place you are available in. This is known as 'crowd funding' and, as you possibly can guess, it's my first day on this strange new world. For those who can provide £5 - that is about $10 - no extra - I'll be grateful. To your half, you'll have made a significant contribution to a film whose disclosure and warning are, I believe, urgently wanted. I'm hopeful you will be pleased with the outcome.

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